Global visibility
One car, one date, one experiment designed from the first sketch to be filmed and published in full.
The project starts with the systems that already exist around it. No external sponsor, manufacturer, circuit or production company is attached at this stage — the grid below is the founding ecosystem, and every other seat is open.
Gabrio Design
Studio — production & direction
The studio behind the project. Design, development and production of the ecosystem the film belongs to.
Ghost55598
Creative identity
The signature the film borrows its driver from. Numbers, patterns and a refusal to appear.
AudioArchives.ai
Sound & archive
Sound identity, recorded material and the archive layer of the ecosystem.
audioarchives.aiORÆ
Concept & language
A parallel project of the ecosystem, contributing its own visual and written vocabulary.
Osairis.ai
Applied intelligence
The ecosystem's machine-intelligence work — the conceptual neighbour of SHELL//555.
Art At Art
Digital gallery
Exhibition space for the ecosystem's visual work, including concept art from the film.
artatart.com8HBrief
Editorial
Short-form editorial and briefing format — the natural home for production notes.
ThroughPortal
Speculative worlds
Fictional-transit universe built by the same studio. Shares the film's taste for credible impossibility.
throughportal.comThe livery zones further down this page belong to a car that has not been built. They matter from stage 03 onwards. The two stages already running need something far more ordinary — and they need it now.
Now
GENESIS
Tools, compute and post-production for the short film. Score and sound design.
Next
ROAD SESSIONS
Episode sponsorship, capture equipment, guests worth an hour of road. Apparel and capsule pieces.
On funding
THE MOVIE
Co-production, financing, distribution, vehicle platform, insurance, permits, crew.
Long term
ROADSTER CHALLENGE
Circuit, timing, medical and safety, engineering, telemetry, broadcast — and the authorisations that make all of it legal.
Placeholders only. No external mark is displayed until an agreement exists, and no logo is ever reproduced without being supplied by its owner.
Manufacturer
Vehicle platform, engineering support, concept build
Equipment
Safety equipment, seats, restraints, helmets
Circuit
Closed venue, session window, marshalling
Technology
Telemetry, sensors, on-board capture, compute
Production
Co-production, financing, distribution
Artists
Score, sound design, concept art, photography
Cybersecurity
Data integrity, key management, audit
Bitcoin
Custody, settlement, on-chain publication of results
Research
Human factors, perception, driver behaviour
Apparel
Race suits for the two seats — the 555 code, grey, white or black — plus team wear and capsule collection
Medical
Trackside medical, extraction, screening
Sport
Physical preparation, cardiac monitoring, recovery
The livery is designed to evolve. Partner marks occupy defined zones on the car, and the car is photographed as it changes — the sponsorship story is part of the film's story.
A partner is attached to a function: a system, a safeguard, a piece of the run. If a mark cannot be explained in one sentence, it does not go on the car.
Results, telemetry and the split of the gains are published. In a project built on an unverifiable claim, everything else has to be verifiable.
The six allocations are written down before the volunteer is selected and before a single lap is run. Nobody negotiates a percentage once they know who won.
21 / 21 / 21 / 21 / 15 / 01
Every revenue the project generates is split six ways, in a fixed protocol written before the money exists: the creator, the passenger, the public system, art and culture, technology, and three percent reserved for the unknown.
A partner buying a zone on the car is buying into that arithmetic, and into the fact that it is published before the run rather than justified after it.
Open the protocolOne car, one date, one experiment designed from the first sketch to be filmed and published in full.
A film project with a written universe, not a logo wall. Partners appear inside the story, not beside it.
Artists, the public system and the security work that makes results inspectable are allocation lines, not afterthoughts. A partner can read exactly where their money lands before they commit it.
The livery evolves with the programme, and the car is photographed as it changes. The sponsorship story is part of the film's story.
Tell us which part of the run you would carry. Every serious enquiry gets an answer, and the ones that fit get the full development file.
No external sponsor, manufacturer, circuit or production company is attached to the project at this stage. Founding systems are internal projects of the Gabrio Design ecosystem.